Bendengó meteorite, discovered in 1784 in the city of Monte Santo/BA (© LAPID).
Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".
David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.
untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality
Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.
Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).
David Hall, TV Interruptions: The Installation, 1971. Screenshot from Unity showing sound design. Programming Sang Hun Yu (© University of Dundee).