Map of the Third World's south-southeast island, 2011.
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality
"Universe" plate - Introdução ao Terceiro Mundo, 2011.
O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).
David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).
Phi Books (© Antonopoulou & Dare).
Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?
DiMoDA 1.0 poster for Superchief gallery, 2016.