Painting on the walls of a rock shelter in the city of Carrancas/MG (© LAPID).
Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?
The process of “virtual reparation.”
Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
Torre (Heide Liebermann, 1981) - access in augmented reality
Phi Books (© Antonopoulou & Dare).
Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).
David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
Map of the Third World's south-southeast island, 2011.