Torre (Heide Liebermann, 1981) - access in augmented reality
Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.
Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
Vila Autódromo community association before being demolished (© Luiz Claudio Silva / Museum of Removals collection).
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
© The Kremer Museum
House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality
Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.