Museum without Walls

Polivisão XLIV X4 (Maurício Salgueiro, mixed media, undated) - access in augmented reality

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

David Hall, TV Interruptions: The Installation, 1971. Comparison of real installation (Installed at Museum of Modern Art - MUMOK, Vienna, 2010) and VR simulation. Model by Sang Hun Yu (© University of Dundee/Estate of David Hall).

The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

Subway (Norton, acrylic on wood, 2002) - access in augmented reality

The process of “virtual reparation.”