Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Adam Lockhart).
Digitization with the RV Scanner for a PhD thesis at LAPID.
In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.
David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
Vila Autódromo community association before being demolished (© Luiz Claudio Silva / Museum of Removals collection).
Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).
The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
