O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality
© The Kremer Museum
David Hall, TV Interruptions: The Installation, 1971. Screenshot from Unity showing sound design. Programming Sang Hun Yu (© University of Dundee).
Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.
"Oracles" plate - Introdução ao Terceiro Mundo, 2011.
DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.
Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).
JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality