Museums

Museum without Walls

Museum without Walls

Museum without Walls

DiMoDA 2.0 - RISD Museum, 2017. Works on display by Miyö Van Stenis (War Room), Rosa Menkman (DCT Syphoning The 64th Interval) and Theo Triantafyllidis (Self Portrait (Interior)) (© RISD Museum).

Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.

Non-space I (the degrading idea of home) - This work seeks to displace and reformulate the social aspect of the WebVR space. Employing verticality, mirroring as well as dislocation of the voice and images of viewer inhabited avatar bodies, it teases out other possibilities of social interaction to be explored. Concept and realization: Commonolithic.

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Digitization with the RV Scanner for a PhD thesis at LAPID.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Stratigraphic Turbidities exhibition, by Yuri Frimeza - Museu de Arte do Rio, 2013 (© Wilton Montenegro)

Demolition of houses at Vila Autódromo by the city government (© Luiz Claudio Silva / Museum of Removals collection).

In May 2021, while the Espírito Santo Art Museum – MAES – was closed in between exhibitions, we held an arts and curatorial residency in a replica of the museum hosted in the Mozilla Hubs platform.

Compatible with WebXR standards, Hubs is a virtual reality system more directly integrated to the internet infrastructure and which does not require any equipment more sophisticated than a browser to be used.

During the residency, Hubs was a means for the participants to occupy the MAES’ architecture as a porous simulacrum, open to the most diverse flows of information – media libraries, archive materials, personal memories, and collaborations with the public.

The experience resulted in the versioning of the museum into four different instances, fabricated by AFAAB (Catalina Alvarez, Liz Flyntz, Ty Clapsaddle), Commonolithic, Para Terra Volta Toda Corpa em Matéria (Garu, Pedra Silva, Rodrigo Lopes), and Renato Pera.

The preliminary replica of MAES remains accessible and open to remixes.

MAES Variations

Ongoing