Museums

Museum without Walls

Museum without Walls

Museum without Walls

Phi Books (© Antonopoulou & Dare).

Riverine Archive, VR screen capture (© Antonopoulou & Dare).

Making of sculptures from the rubble of house demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

DiMoDA 1.0 poster for Superchief gallery, 2016.

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.

"Universe" plate - Introdução ao Terceiro Mundo, 2011.

The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.

© The Kremer Museum

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

In May 2021, while the Espírito Santo Art Museum – MAES – was closed in between exhibitions, we held an arts and curatorial residency in a replica of the museum hosted in the Mozilla Hubs platform.

Compatible with WebXR standards, Hubs is a virtual reality system more directly integrated to the internet infrastructure and which does not require any equipment more sophisticated than a browser to be used.

During the residency, Hubs was a means for the participants to occupy the MAES’ architecture as a porous simulacrum, open to the most diverse flows of information – media libraries, archive materials, personal memories, and collaborations with the public.

The experience resulted in the versioning of the museum into four different instances, fabricated by AFAAB (Catalina Alvarez, Liz Flyntz, Ty Clapsaddle), Commonolithic, Para Terra Volta Toda Corpa em Matéria (Garu, Pedra Silva, Rodrigo Lopes), and Renato Pera.

The preliminary replica of MAES remains accessible and open to remixes.

MAES Variations

Ongoing