Vila Autódromo community association before being demolished (© Luiz Claudio Silva / Museum of Removals collection).
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
© The Kremer Museum
Phi Books (© Antonopoulou & Dare).
Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.
Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?
Macrophallic amulter recovered from the fire at the National Museum (© LAPID).
