Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
Weekly meeting of the contidonãocontido project, with the curators-educators.
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.
David Hall, TV Interruptions: The Installation, 1971. Video documentation of VR experience presented at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
Phi Books (© Antonopoulou & Dare).
Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality