Museum without Walls

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.