Torre (Heide Liebermann, 1981) - access in augmented reality
The process of “virtual reparation.”
© The Kremer Museum
Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality
Third World encyclopedia.
DiMoDA 1.0 poster for Superchief gallery, 2016.
In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.