Torre (Heide Liebermann, 1981) - access in augmented reality
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality
Third World flag.
© The Kremer Museum
Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.