Museum without Walls

Torre (Heide Liebermann, 1981) - access in augmented reality

Making of sculptures from the rubble of house demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

Phi Books (© Antonopoulou & Dare).

O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

DiMoDA 1.0 poster for Superchief gallery, 2016.

Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.

JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

The process of “virtual reparation.”

Weekly meeting of the contidonãocontido project, with the curators-educators.

The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.

Meeting/workshop with residents and allies for the creation of the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).