Museum without Walls

Digitization with the RV Scanner for a PhD thesis at LAPID.

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.

Subway (Norton, acrylic on wood, 2002) - access in augmented reality

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality

DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.