Museum without Walls

Phi Books VR (© Antonopoulou & Dare).

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

DiMoDA 1.0 - opening at Transfer gallery, 2015.

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

"Oracles" plate - Introdução ao Terceiro Mundo, 2011.

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.