Museum without Walls

DiMoDA 2.0 - RISD Museum, 2017. Works on display by Miyö Van Stenis (War Room), Rosa Menkman (DCT Syphoning The 64th Interval) and Theo Triantafyllidis (Self Portrait (Interior)) (© RISD Museum).

Demonstration against evictions and demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

"Universe" plate - Introdução ao Terceiro Mundo, 2011.

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Third World flag.

untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality