DiMoDA 1.0 poster for Superchief gallery, 2016.
Vila Autódromo community association before being demolished (© Luiz Claudio Silva / Museum of Removals collection).
Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality
Dossiers, Magazines, and Reports
Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".
Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).
The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.
House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).