Museums

Museum without Walls

Museum without Walls

Museum without Walls

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

Digitization with the RV Scanner for a PhD thesis at LAPID.

O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

Vila Autódromo community association before being demolished (© Luiz Claudio Silva / Museum of Removals collection).

Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.

This audio guide series fantasizes new exhibitions for the Espírito Santo Art Museum. In loco or from afar, the listener is led to explore what could be the State’s official space of representation if it were conducted by other institutions, in other ways, or at other times.

Guided tours were provided by the Ufes Curatorial Platform, the Raízes da Piedade Institute, the Origraffes collective, and the architects Mirella Schena and Clara Sampaio, responsible for the Museum’s recent renovation project.

Guided Tours

Ongoing