Museum without Walls

The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

Non-space I (the degrading idea of home) - This work seeks to displace and reformulate the social aspect of the WebVR space. Employing verticality, mirroring as well as dislocation of the voice and images of viewer inhabited avatar bodies, it teases out other possibilities of social interaction to be explored. Concept and realization: Commonolithic.

Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Polivisão XLIV X4 (Maurício Salgueiro, mixed media, undated) - access in augmented reality

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.