Museum without Walls

Non-space I (the degrading idea of home) - This work seeks to displace and reformulate the social aspect of the WebVR space. Employing verticality, mirroring as well as dislocation of the voice and images of viewer inhabited avatar bodies, it teases out other possibilities of social interaction to be explored. Concept and realization: Commonolithic.

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.

DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).

David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).

Dense point cloud of the Redonda and Filhote islands. The photo sequence, indicated by the blue rectangles, shows the boat trajectory around the islands.

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality