Museum without Walls

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Dense point cloud of the Redonda and Filhote islands. The photo sequence, indicated by the blue rectangles, shows the boat trajectory around the islands.

VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).

Riverine Archive, VR screen capture (© Antonopoulou & Dare).

DiMoDA 2.0 - RISD Museum, 2017. Works on display by Miyö Van Stenis (War Room), Rosa Menkman (DCT Syphoning The 64th Interval) and Theo Triantafyllidis (Self Portrait (Interior)) (© RISD Museum).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Demolition of houses at Vila Autódromo by the city government (© Luiz Claudio Silva / Museum of Removals collection).

Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

The process of “virtual reparation.”