Museum without Walls

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

The process of “virtual reparation.”

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

"Universe" plate - Introdução ao Terceiro Mundo, 2011.

Stratigraphic Turbidities exhibition, by Yuri Frimeza - Museu de Arte do Rio, 2013 (© Wilton Montenegro)

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

Polivisão XLIV X4 (Maurício Salgueiro, mixed media, undated) - access in augmented reality

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.