Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
© The Kremer Museum
Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality
Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).
Riverine Archive, VR screen capture (© Antonopoulou & Dare).
Dense point cloud of the Redonda and Filhote islands. The photo sequence, indicated by the blue rectangles, shows the boat trajectory around the islands.
David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. Video documentation of VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Rhoda Ellis).