Museum without Walls

Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

Weekly meeting of the contidonãocontido project, with the curators-educators.

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).

Polivisão XLIV X4 (Maurício Salgueiro, mixed media, undated) - access in augmented reality

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

Phi Books presentation at the University of Copenhagen.