Museum without Walls

David Hall, TV Interruptions: The Installation, 1971. Screenshot from Unity showing sound design. Programming Sang Hun Yu (© University of Dundee).

Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?