Demolition of houses at Vila Autódromo by the city government (© Luiz Claudio Silva / Museum of Removals collection).
House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Adam Lockhart).
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
© The Kremer Museum
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
The process of “virtual reparation.”
Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).