© The Kremer Museum
The process of “virtual reparation.”
untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality
Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.
DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.
Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).
Houseplans, Phi Books (© Antonopoulou & Dare).
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
Phi Books (© Antonopoulou & Dare).