Museum without Walls

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Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Digital animation of the skeleton of the bird Rhea americana, based on kinematic study.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Non-space I (the degrading idea of home) - This work seeks to displace and reformulate the social aspect of the WebVR space. Employing verticality, mirroring as well as dislocation of the voice and images of viewer inhabited avatar bodies, it teases out other possibilities of social interaction to be explored. Concept and realization: Commonolithic.