Museum without Walls

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untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality

Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

Dossiers, Magazines, and Reports

David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.