Museum without Walls

Photogrammetry mapping of Roman amphorae in the Mediterranean Culture room. Photos were obtained using a drone because the floor of the room was covered by pieces of collection items, making it impossible to reach these items.

Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).

House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.

Subway (Norton, acrylic on wood, 2002) - access in augmented reality

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.

Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.