Museum without Walls

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Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality

Polivisão XLIV X4 (Maurício Salgueiro, mixed media, undated) - access in augmented reality

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.

Demolition of houses at Vila Autódromo by the city government (© Luiz Claudio Silva / Museum of Removals collection).

Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

Photogrammetry mapping of Roman amphorae in the Mediterranean Culture room. Photos were obtained using a drone because the floor of the room was covered by pieces of collection items, making it impossible to reach these items.