Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
Demolition of houses at Vila Autódromo by the city government (© Luiz Claudio Silva / Museum of Removals collection).
Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).
DiMoDA 1.0 poster for Superchief gallery, 2016.
Third World flag.
Some other Espírito Santo Art Museum.
JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
Vila Autódromo community association before being demolished (© Luiz Claudio Silva / Museum of Removals collection).