Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).
VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).
© The Kremer Museum
Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.
DiMoDA 1.0 poster for Superchief gallery, 2016.
David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).
DiMoDA 2.0 - RISD Museum, 2017. Works on display by Miyö Van Stenis (War Room), Rosa Menkman (DCT Syphoning The 64th Interval) and Theo Triantafyllidis (Self Portrait (Interior)) (© RISD Museum).
