Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.
DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.
© The Kremer Museum
DiMoDA 2.0 - RISD Museum, 2017. Works on display by Miyö Van Stenis (War Room), Rosa Menkman (DCT Syphoning The 64th Interval) and Theo Triantafyllidis (Self Portrait (Interior)) (© RISD Museum).
"Universe" plate - Introdução ao Terceiro Mundo, 2011.
Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).
Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality
Meeting/workshop with residents and allies for the creation of the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.