Museum without Walls

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

David Hall, TV Interruptions: The Installation, 1971. Schematic showing 3D construction of Hantarex monitor in Maya software by Sang Hun Yu (© University of Dundee/Estate of David Hall).

Phi Books VR (© Antonopoulou & Dare).

Phi Books presentation at the University of Copenhagen.

DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).

Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.

David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.