Museum without Walls

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Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

Torre (Heide Liebermann, 1981) - access in augmented reality

Polivisão XLIV X4 (Maurício Salgueiro, mixed media, undated) - access in augmented reality

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Dense point cloud of the Redonda and Filhote islands. The photo sequence, indicated by the blue rectangles, shows the boat trajectory around the islands.

Photogrammetry mapping of Roman amphorae in the Mediterranean Culture room. Photos were obtained using a drone because the floor of the room was covered by pieces of collection items, making it impossible to reach these items.

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".