David Hall, TV Interruptions: The Installation, 1971. Video documentation of VR experience presented at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.
House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).
Meeting/workshop with residents and allies for the creation of the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
Demolition of houses at Vila Autódromo by the city government (© Luiz Claudio Silva / Museum of Removals collection).
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).
The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.
The process of “virtual reparation.”
