DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).
© The Kremer Museum
Meeting/workshop with residents and allies for the creation of the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
Phi Books (© Antonopoulou & Dare).
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality
Subway (Norton, acrylic on wood, 2002) - access in augmented reality