Museum without Walls

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Non-space I (the degrading idea of home) - This work seeks to displace and reformulate the social aspect of the WebVR space. Employing verticality, mirroring as well as dislocation of the voice and images of viewer inhabited avatar bodies, it teases out other possibilities of social interaction to be explored. Concept and realization: Commonolithic.

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).

Phi Books VR (© Antonopoulou & Dare).

untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.

Third World encyclopedia.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).