Museum without Walls

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DiMoDA 1.0 poster for Superchief gallery, 2016.

Subway (Norton, acrylic on wood, 2002) - access in augmented reality

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

Rigor Mortis - In this exhibition, the museum is turned into a horror movie setting, where the feeling of reality is distorted: logic falters, the body is shredded, inert objects become animated - life and death, dream and reality get confused. Creation & research: Renato Pera. 3D art: Caio Fazolin. Collaboration: Jye O'Sullivan and Marcos Pavão.

Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality

The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.