Museum without Walls

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DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

untitled (Levino Fanzeres, oil on agglomerate, undated) - access in augmented reality

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

David Hall, TV Interruptions: The Installation, 1971. Schematic showing 3D construction of Hantarex monitor in Maya software by Sang Hun Yu (© University of Dundee/Estate of David Hall).