Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
DiMoDA 1.0 poster for Superchief gallery, 2016.
O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
Phi Books presentation at the University of Copenhagen.
DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).
Riverine Archive, VR screen capture (© Antonopoulou & Dare).
untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality
Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".