Phi Books presentation at the University of Copenhagen.
untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
© The Kremer Museum
Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality
David Hall, TV Interruptions: The Installation, 1971. Schematic showing 3D construction of Hantarex monitor in Maya software by Sang Hun Yu (© University of Dundee/Estate of David Hall).
Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).