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Museum without Walls

Museum without Walls

Museum without Walls

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Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).

Meeting/workshop with residents and allies for the creation of the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).

Dense point cloud of the Redonda and Filhote islands. The photo sequence, indicated by the blue rectangles, shows the boat trajectory around the islands.

Digital animation of the skeleton of the bird Rhea americana, based on kinematic study.

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Non-space I (the degrading idea of home) - This  work seeks to displace and reformulate the social aspect of the WebVR space. Employing verticality, mirroring as well as dislocation of the voice and images of viewer inhabited avatar bodies, it teases out other possibilities of social interaction to be explored. Concept and realization: Commonolithic.

Bendengó meteorite, discovered in 1784 in the city of Monte Santo/BA (© LAPID).

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

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