Museum without Walls

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Phi Books (© Antonopoulou & Dare).

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

Weekly meeting of the contidonãocontido project, with the curators-educators.

David Hall, TV Interruptions: The Installation, 1971. Screenshot from Unity showing sound design. Programming Sang Hun Yu (© University of Dundee).

Torre (Heide Liebermann, 1981) - access in augmented reality

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?