Museum without Walls

Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.

"Universe" plate - Introdução ao Terceiro Mundo, 2011.

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.

Digital animation of the skeleton of the bird Rhea americana, based on kinematic study.

DiMoDA 1.0 poster for Superchief gallery, 2016.

Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?