Museum without Walls

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Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

Vila Autódromo community association before being demolished (© Luiz Claudio Silva / Museum of Removals collection).

Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).

The process of “virtual reparation.”

JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.

The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality