Making of sculptures from the rubble of house demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
DiMoDA 1.0 poster for Superchief gallery, 2016.
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
Some other Espírito Santo Art Museum.
Polivisão XLIV X4 (Maurício Salgueiro, mixed media, undated) - access in augmented reality
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.
Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.