Museum without Walls

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O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.

DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.

JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.

Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).

David Hall, TV Interruptions: The Installation, 1971. Schematic showing 3D construction of Hantarex monitor in Maya software by Sang Hun Yu (© University of Dundee/Estate of David Hall).

Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.