Museum without Walls

David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

The process of “virtual reparation.”

O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.