Museums

Museum without Walls

Museum without Walls

Museum without Walls

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David Hall, TV Interruptions: The Installation, 1971. Video documentation of VR experience presented at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality

VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).

"Universe" plate - Introdução ao Terceiro Mundo, 2011.

DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.

© The Kremer Museum

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

"Oracles" plate - Introdução ao Terceiro Mundo, 2011.

Part of the Espírito Santo Art Museum collection was digitized and implemented as a series of augmented reality (AR) filters. The works are available as 3D models for those who want to take them for a walk around the city or in other virtual spaces.

This proposal experiments with the possibilities created by the new media systems to make public certain pieces of our heritage, not only in the sense of making these pieces known but also of provoking recontextualizations of their uses and meanings.

Our Collections was funded by the Aldir Blanc Law, via the Espírito Santo State Cultural Offices. All models are published under a CC BY-NC-SA 2.5 free license.

Our Collections

Ongoing