Museums

Museum without Walls

Museum without Walls

Museum without Walls

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VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).

Digitization with the RV Scanner for a PhD thesis at LAPID.

David Hall, TV Interruptions: The Installation, 1971. Schematic showing 3D construction of Hantarex monitor in Maya software by Sang Hun Yu (© University of Dundee/Estate of David Hall).

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

David Hall, TV Interruptions: The Installation, 1971. Video documentation of VR experience presented at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

Dense point cloud of the Redonda and Filhote islands. The photo sequence, indicated by the blue rectangles, shows the boat trajectory around the islands.

Polivisão XLIV X4 (Maurício Salgueiro, mixed media, undated) - access in augmented reality

Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.

Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality

Part of the Espírito Santo Art Museum collection was digitized and implemented as a series of augmented reality (AR) filters. The works are available as 3D models for those who want to take them for a walk around the city or in other virtual spaces.

This proposal experiments with the possibilities created by the new media systems to make public certain pieces of our heritage, not only in the sense of making these pieces known but also of provoking recontextualizations of their uses and meanings.

Our Collections was funded by the Aldir Blanc Law, via the Espírito Santo State Cultural Offices. All models are published under a CC BY-NC-SA 2.5 free license.

Our Collections

Ongoing