Museums

Museum without Walls

Museum without Walls

Museum without Walls

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Since the community was being used as a construction site for the Olympic Park - one of the strategies used to pressure residents and compel families to accept the proposal of the City of Rio de Janeiro -, the sculpture “Suporte dos Males” and part of the sculpture “Espaço Ocupa e Casa da Dona Conceição” were destroyed by tractors.

Dense point cloud of the Redonda and Filhote islands. The photo sequence, indicated by the blue rectangles, shows the boat trajectory around the islands.

© The Kremer Museum

Stratigraphic Turbidities exhibition, by Yuri Frimeza - Museu de Arte do Rio, 2013 (© Wilton Montenegro)

O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

You are the crossroad of your memories - Born from clay and modelled in 3D, this installation is composed by a virtual room, a performance program and a digital publication. Its shape, inspired by the moringa, an object used by aboriginal peoples for storing and cooling water, is a reminder and an invitation: a reminder that without its union with natural elements, our existence would not be possible; and an invitation to play with the porosity of memory, identity and body. Concept and realization: Pedra Silva, Garu e Rodrigo Lopes.

untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality

Part of the Espírito Santo Art Museum collection was digitized and implemented as a series of augmented reality (AR) filters. The works are available as 3D models for those who want to take them for a walk around the city or in other virtual spaces.

This proposal experiments with the possibilities created by the new media systems to make public certain pieces of our heritage, not only in the sense of making these pieces known but also of provoking recontextualizations of their uses and meanings.

Our Collections was funded by the Aldir Blanc Law, via the Espírito Santo State Cultural Offices. All models are published under a CC BY-NC-SA 2.5 free license.

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