David Hall, TV Interruptions: The Installation, 1971. Schematic showing 3D construction of Hantarex monitor in Maya software by Sang Hun Yu (© University of Dundee/Estate of David Hall).
DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).
The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.
David Hall, TV Interruptions: The Installation, 1971. Video documentation of VR experience presented at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
DiMoDA 1.0 - opening at Transfer gallery, 2015.
Riverine Archive, VR screen capture (© Antonopoulou & Dare).
Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
Subway (Norton, acrylic on wood, 2002) - access in augmented reality
untitled (Levino Fanzeres, oil on agglomerate, undated) - access in augmented reality
© The Kremer Museum