DiMoDA 1.0 - opening at Transfer gallery, 2015.
Meeting/workshop with residents and allies for the creation of the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
Third World encyclopedia.
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.
untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality
