Third World flag.
Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
© The Kremer Museum
Riverine Archive, VR screen capture (© Antonopoulou & Dare).
Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.
Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?
Map of the Third World's south-southeast island, 2011.
