Museum without Walls

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

Digital animation of the skeleton of the bird Rhea americana, based on kinematic study.

untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality