Museum without Walls

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untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality

DiMoDA 1.0 - opening at Transfer gallery, 2015.

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Rigor Mortis - In this exhibition, the museum is turned into a horror movie setting, where the feeling of reality is distorted: logic falters, the body is shredded, inert objects become animated - life and death, dream and reality get confused. Creation & research: Renato Pera. 3D art: Caio Fazolin. Collaboration: Jye O'Sullivan and Marcos Pavão.

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality

Phi Books (© Antonopoulou & Dare).

Since the community was being used as a construction site for the Olympic Park - one of the strategies used to pressure residents and compel families to accept the proposal of the City of Rio de Janeiro -, the sculpture “Suporte dos Males” and part of the sculpture “Espaço Ocupa e Casa da Dona Conceição” were destroyed by tractors.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

David Hall, TV Interruptions: The Installation, 1971. Comparison of real installation (Installed at Museum of Modern Art - MUMOK, Vienna, 2010) and VR simulation. Model by Sang Hun Yu (© University of Dundee/Estate of David Hall).