Museum without Walls

DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.

Photogrammetry mapping of Roman amphorae in the Mediterranean Culture room. Photos were obtained using a drone because the floor of the room was covered by pieces of collection items, making it impossible to reach these items.

David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. Video documentation of VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Rhoda Ellis).

Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

DiMoDA 1.0 poster for Superchief gallery, 2016.

The process of “virtual reparation.”

David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

Torre (Heide Liebermann, 1981) - access in augmented reality