DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.
DiMoDA 1.0 poster for Superchief gallery, 2016.
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
"Oracles" plate - Introdução ao Terceiro Mundo, 2011.
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).
Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality
David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
Phi Books presentation at the University of Copenhagen.
JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality