Museum without Walls

Houseplans, Phi Books (© Antonopoulou & Dare).

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

Vila Autódromo community association before being demolished (© Luiz Claudio Silva / Museum of Removals collection).

The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.

Dense point cloud of the Redonda and Filhote islands. The photo sequence, indicated by the blue rectangles, shows the boat trajectory around the islands.

Third World flag.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality