Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality
The process of “virtual reparation.”
David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.
"Universe" plate - Introdução ao Terceiro Mundo, 2011.
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality