Museum without Walls

David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. Video documentation of VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Rhoda Ellis).

Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.

Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

Making of sculptures from the rubble of house demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).

David Hall, TV Interruptions: The Installation, 1971. Comparison of real installation (Installed at Museum of Modern Art - MUMOK, Vienna, 2010) and VR simulation. Model by Sang Hun Yu (© University of Dundee/Estate of David Hall).

Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

The Space Expanding Room: AFAAB in VR - The virtual Ant Farm Antioch Art Building is a digital space constructed from 1971 archival architect’s drawings. In this virtual space, avatars can meet, chat, graffiti, attend events, and make art, just as students were once able to interact in the real space, before it was abandoned in 2008. An AFAAB production. Concept, curating, and direction by Catalina Alvarez and Liz Flyntz. Construction and design by Ty Clapsaddle.